Peter Mettler
A restless cinematic adventurer, Peter Mettler’s singular body of work is characterized by hybridism, a sense of wonder, unusual forms of collaboration and a disregard for tidy generic classifications. Frequently visiting themes of transcendence, wanderlust and the delicate relationship between technology and the natural world, Mettler’s films combine travelogue, essay, interview, fiction and social critique. Major film works include: Gambling, Gods and LSD (2002), Picture of Light (1994), Petropolis: Aerial Perspectives of the Alberta Tar Sands (2009) The End of Time (2012) and Becoming Animal (2018). Honoured with awards and retrospectives worldwide, he is also known as a photographer, cinematographer and groundbreaking live audio/visual mixing performer.