Screening time | |
---|---|
04.03. / Petak, 18:00 - 20:00 Dvorana 5 |
Sunt Lacrimae rerum en
Croatia
1965, 11' 19'', bw, video
Directed by:
Eduard Galić
Screenplay by:
Eduard Galić, Krunoslav Quien
Cinematography:
Oktavijan Miletić
Edited by:
Boris Tešija
Produced by:
Zagreb film
Klesari
Croatia
1968, 9' 30'', bw, video
Directed by:
Eduard Galić
Screenplay by:
Krunoslav Quien
Cinematography:
Oktavijan Miletić
Edited by:
Radojka Tanhofer
Music:
Tomislav Simović
Produced by:
Zagreb film
Predvečerje
Croatia
1966, 12' 42'', bw, video
Directed by:
Eduard Galić
Screenplay by:
Eduard Galić
Cinematography:
Krešo Grčević
Edited by:
Boris Tešija
Music:
Anđelko Klobučar
Produced by:
Zagreb film
Muzika u Grožnjanu
Croatia
1976, 21' 11'', color, video
Directed by:
Eduard Galić
Screenplay by:
Kruno Quien
Cinematography:
Branko Blažina
Edited by:
Vuksan Lukovac
Produced by:
Zagreb film
Majka Božja Letnička
Croatia
1972, 18' 33'', color, video
Directed by:
Eduard Galić
Screenplay by:
Mira Buljan
Cinematography:
Antun Markić
Edited by:
Blaženka Jenčik
Music:
Anđelko Klobučar
Produced by:
Zagreb film
Đurđica Bjedov ili o sreći
Croatia
1974, 12' 21'', color, video
Directed by:
Eduard Galić
Screenplay by:
Branko Lentić, Pero Zlatar
Cinematography:
Antun Markić
Edited by:
Radojka Tanhofer
Produced by:
Zagreb film
Archaeologist by professional training (born in 1936 in Trogir) and for some time by employment, as well (assistant professor in the archaeology department), Galić made his first film steps in a highly impressive manner: through the documentary film ‘Sunt lacrimae rerum’ (1965). Afterwards he became a professional (so-called freelance) director, systematically making documentary and short live action films (such as: ‘Osveta’, 1967; ‘Crni kišobran’, 1968; ‘Starci’, 1970; ‘Pred zoru’, 1974; ‘Pred odlazak’, 1978). In 1967he filmed his feature debut ‘Crne ptice’, continuing his earlier interest in narrative in a series of television dramas (‘Posljednji Stipančići, 1968; ‘Sjenke’, 1968; ‘Nepoznati’, 1969. etc.) drama series (‘Dnevnik Očenašeka’, 1968; ‘Sam čovjek’, 1970; ‘Putovanje u Vučjak’, 1984-85, ‘Tuđinac’, 1990), narrative documentary biographies (‘Dimitrije Tucović’, 1974; ‘Nikola Tesla’, 1977; ‘Svetozar Marković’, 1980) as well as mid-length and feature TV films (‘Tomo Bakran’, 1978; ‘Nepokoreni’, 1981; and three more episodes of the series ‘Nepokoreni grad’, 1982: ‘Horvatov izbor’, 1985 /feature/; ‘Jaguar’, 1992; ‘Sokak triju ruža’, 1992; ‘Olovna pričest’, 1995; ‘Starci’, 2001 etc). However, these feature narratives have been systematically complemented with documentary film production, and especially with television, making independent documentaries and numerous studio shows, archive stories, concert broadcasts etc., as one of the rare filmmakers employed as a professional director at Zagreb Television, later Croatian Television.
General sponsor
T-ComPartners
MOVIEPLEX CENTAR KAPTOL EUROPEAN DOCUMENTARY NETWORK MOVIES THAT MATTER AKADEMIJA DRAMSKE UMJETNOSTI HRVATSKI FILMSKI SAVEZ ZAGREB FILMSponsors
REZOLUCIJA